“Big History.” In Theatre, Performance and Change, ed. Stephani Etheridge Woodson and Tamara Underiner. London: Palgrave Macmillan, 2018. 261-69.
“Online Role-playing Games and the Definition of Theatre.” New Theatre Quarterly: 33.4 (2017): 345-59. https://dx.doi.org/10.1017/S0266464X17000483. (The download link to the right is to the Original Manuscript. Contact me regarding the published version.)
“Embodied Collective Reflexivity: Peircean Performatives.” Journal of Critical Realism 16.1 (2017): 43-69. http://dx.doi.org/10.1080/14767430.2016.1257198. (The download link to the right is to the Accepted Manuscript. Contact me regarding the published version.)
General Editor and co-author, Theatre Histories: An Introduction, Third Edition. Co-authored with Bruce McConachie, Carol Fisher Sorgenfrei, and Tamara Underiner. New York: Routledge, 2016.
“Aesthetics,” “Cognitive Science,” “Culture, Cultural Analysis,” and “Signs, Semiology, Semiotics.” In Dictionary of Critical Realism. Ed. Mervyn Hartwig. London: Routledge, 2007.
“Performance Strategies, Image Schemas, and Communication Frameworks.” In Performance and Cognition: Theatre Studies and the Cognitive Turn. Ed. Bruce McConachie and F. Elizabeth Hart. London: Routledge, 2006. 76-94.
“Critical Realism and Performance Strategies.” In Staging Philosophy: Intersections of Theatre, Performance, and Philosophy. Ed. David Krasner and David Z. Saltz. Ann Arbor: University of Michigan Press, 2006. 57-84.
“Self-Possessed Jonson: Reason, Will, Ownership, Power.” Journal of Dramatic Theory and Criticism 8.1 (1993): 5-17.
“Mementos of Things to Come: Orality, Literacy, and Typology in the Biblia pauperum.” In Printing the Written Word: The Social History of Books, c. 1450-1520. Ed. Sandra Hindman. Ithaca, N.Y.: Cornell University Press, 1991. 292-321.
“Literacy, Tyranny, and the Invention of Greek Tragedy.” Journal of Dramatic Theory and Criticism 3.2 (1989): 53-71.