IACR 2015: Some Personal Reflections. Part II: The “New Conversations in Science and Religion” Conference

It occurred to me that Religious Studies is a field within the humanities, so I decided to pay attention to the postconference.  Of course it’s not surprising that the chosen humanities field was Religious Studies, given the (to me, surprising) surge of critical realists revealing the importance of religion in their lives.  I would have preferred something like history, however.

My responses to the postconference were naturally shaped by my own religious background and views.  I am culturally Jewish: I don’t practice, yet it is part of how I identify myself, how I think about the world, and (I would say) my general style of action.  For all intents and purposes I’m an atheist, but as a good fallibilist I officially describe myself as an agnostic.

I have long been struck by the fact that critical realists, as best as I can tell, include very few fellow Jews.  It’s odd.  We’re widespread in scholarship, both historically and in the present.  Now, I don’t go around checking people’s religious affiliations, but it’s not unusual for us to suss each other out.  Of course, maybe my impression is simply wrong.  In any case, we seem rare within critical realism.  I can’t help but wonder why, but I don’t have any answers.

However, a distinctly Christian element within critical realism began to declare itself with Bhaskar’s From East to West.  As almost everyone admits, it’s a highly problematic book, but I found the chapter “To the Promised Land” (in which Bhaskar recounts his soul’s supposed Jewish phase) particularly off-putting.  Who are the “twelve disciples” (p. 74)?  What’s the holy grail doing here, and why is it given him at age 33-4 (p. 75)?  Why is his late teacher resurrected (p. 76)?  What exactly are these dilemmas of Judaism that somehow need to be resolved (pp. 77-78)?  Can the claim that they have been resolved mean anything other than a belief that Judaism has been surmounted by something better, and now can safely be dispensed with?  It seems like the basic function of this chapter is to presage the coming of Christianity, and covers a phase to be passed over as soon as possible (pun intended).

Now that a range of people within CR have declared their religious feelings, the “Science and Religion” postconference (which had very little science) was predictably oriented toward Christianity, and – not quite as predictably – blinkered about it.  Only Kevin Schilbrack, who gave the day’s best paper, made a substantive effort to include other religions in his compass.  (To be completely accurate, I don’t know for certain about one plenary talk because after 10-15 minutes of exasperation I quietly left.)  There are many things you can discuss while considering only one religion.  You can study its sociology in connection to, say, labor history or gender relations.  You can analyze how one religion adjusted its theology in response to scientific discoveries.  You can explore how a religion’s institutions interacted with state institutions.  Etc.  But you can’t analyze religion per se by looking at only one religion.  You can only do that by considering numerous religions.  The situation is the same in my own work: if I were to use predominantly realistic plays like those of Anton Chekhov or Tennessee Williams as my models for conceptualizing theater, my theory would go far astray, not even capturing Shakespeare.  And so it is for religion.

For example, Christianity in all its variants is essentially a religion of beliefs.  But the same cannot be said of Judaism: it’s principally a tradition of practices and orientations.  Although there are differences among the various branches of Judaism regarding the interpretation of the sacred texts and some doctrinal matters, what distinguishes them most are their attitudes about adapting the traditional practices and laws to the times.  Under Orthodox Judaism, one keeps kosher, prays only in groups of at least ten people, and observes a wide number of holidays, including the Sabbath; under Reform Judaism (in the UK, called Liberal Judaism) many such practices go by the wayside.  But respect for the Torah and the highest holidays, and for education generally (whether religious or secular) remain central to both.  Faith isn’t obligatory: one can be both an Orthodox Jew and an atheist.  Conversely, one can follow none of Judaism’s traditional religious practices, yet still share its orientations and relationship with history and knowledge, and thus consider oneself Jewish.  A Christian concept of religion as a faith cannot accommodate these possibilities.  Indeed, the very notion of a “Judeo-Christian tradition” is objectionable, since it exaggerates the continuity between the two and implies that Christianity has superseded Judaism.  Somewhat in the way Bhaskar does it in From East to West.

In short, important as it is to understand one’s own religion, it’s important to understand others’ as well, and to do so in relation to each other – both Self and Other, or perhaps better, Martin Buber’s I and Thou.  So a critical realist discussion of religious ideas faces two imperatives: one is to pursue truth, e.g., to develop an accurate and comprehensive definition of religion, which requires a comparative and nondenominational approach; the other is to seek what Bhaskar called “eudaimonia,” a society of universal flourishing, which entails equity – a policy which in these times of intense religious conflict is in terribly short supply.

[Next: The Philosophy of metaReality?]

IACR 2015: Some Personal Reflections. Part I: The Main Conference

The following are a few comments on the 2015 IACR conference at the University of Notre Dame and the “New Conversations in Science and Religion” one-day conference that followed.  I am by no means attempting to provide a full survey or review, but some of my interactions and responses to the conference raised thoughts about the state of critical realism generally; and as the point of this blog is to work out my thoughts, there is a necessary personal element here. I’ve broken up my discussion into three parts: the main conference, the “Science and Religion” postconference, and issues raised for CR as a project by the rise of the “philosophy of metaReality.”

I turn first, then, to the main conference.  The majority of IACR members are in the social sciences, with a smattering of philosophers, whereas scholars of culture and the arts like me are few and far between (although I’ll somewhat modify that statement later).  This is a continuing problem in CR: even after 18 years of conferences, their attendees are still in a narrow range of scholarly fields, encouraged by themes usually tailored mainly if not strictly for social scientists.  (This is on top of the sharp demographic disparities in gender and race: it’s still mainly a meeting of middle-aged white guys.)  Particularly astonishing is the paucity of historians.  Historiography is the humanities field with the most kinship to the social sciences, so one would expect historians to be at least as populous as the philosophers.  That said, the “Science and Religion” postconference can be seen as an effort to open up to other fields (in this case, religious studies) – a problematic effort, but an effort nonetheless.

One thing conferences are good for is running ideas past colleagues, and discovering what concepts one’s readers might have difficulty with (perhaps more urgent but also more difficult for a disciplinary interloper like me).  For these reasons I wanted to talk with Margaret Archer about my paper-in-progress on embodied collective reflexivity, which naturally draws upon her work.  In considering the possibility of an embodied form, I am thinking of communication – and thus the possibility of reflexivity – that is not simply about the body, but through it.  Unfortunately I was thoroughly inarticulate when I talked with Maggie, so it was difficult to tell whether her response reflected my lack of clarity or her unfamiliarity with the concept of embodiment I work with. Thus when I was in a more lucid state (i.e., I’d had a beer) I approached her to see if she could catch on to it by quoting a line that I felt captured the idea: “Sex is a promise you make with your body.”  (This was a slight misquotation of from the movie Vanilla Sky, which I haven’t seen so I’m not sure where I heard it.)  Her look betrayed utter bafflement, and after I returned to my chair, she repeated the sentence to Alan Norrie (seated next to her) with an expression that said “WTF?!”  Her reaction was perhaps surprising, given some of her arguments in Being Human; but perhaps not, as her discussions of embodiment are somehow disembodied, and there is a distinct rationalist streak in her work. For me, the sentence is completely comprehensible – whether one agrees or disagrees is beside the point. The gestures and interactions and intertwinings of our bodies are intrinsically meaningful. (It seems my unconscious was working overtime, as I kept trying to remember the English for Brecht’s plumpes Denken, “coarse thinking,” which is gritty with the material world.) I ran the phrase by a few other people; some shared Maggie’s reaction, some got it right away.  I suspect that most people in theater studies would have understood it immediately. So it’s clear that I’ll have to pay a little more attention to explaining the concept in my forthcoming article.

I tend to think that the most important aspects of a conference aren’t the plenaries and panels.  That said, for my money the best plenary was easily Ruth Groff’s, which is now available on her blog.  The panels were the usual mix of good and not so much, but it was striking how many of the speakers were relatively new to CR.

It was also striking how many speakers appeared more than once.  I raised this matter at the Annual General Meeting because I think it’s bad practice, and I proposed a policy that conference presenters should only appear once.  Christian Smith (the conference organizer) informed me that few papers were submitted, so no one was excluded as a result of the multiple presentations.  I was startled that the submission numbers were so low, but there you have it.  That surely won’t be the case next year in Cardiff, however.  The organizer for that conference (Ismael Al-Emodi?), while sympathetic, wants to keep the option of multiple presentations open, which I think is unwise.  As far as I’m concerned, between allowing someone to present two papers at the cost of someone’s ability to attend, and enabling one more person to attend at the cost of forcing someone to make a choice, it’s not even a question.  (Besides, one more attendee is one more registration being paid.)

Attendees of the Annual General Meeting also witnessed Maggie threatening to quit the organization over some language in the proposed amendment regarding diversity in IACR.  It’s true that the language was problematic, but frankly Maggie’s vehemence was over the top.  And the implied assumption that we would all leap to make sure she stayed appeared rather presumptuous.

Organization members really should attend Annual General Meetings.  I know they sound boring, but I’ve been involved in several organizations and seen them do (or attempt to do) some incredibly stupid things, plus the meetings provide an opportunity to discuss problems and propose improvements.  The quality of the conferences does have an influence on critical realism’s intellectual development.

[Next: The Postconference]

 

Theater ontology revisited

The lack of a recent blog post is the result of a problem that arose as I was working on an article about online roleplaying games, and the solution soon led to an idea for another article which now has my attention, since the theory I’m developing there has to be pretty well shaped before I can return to the article on online roleplaying.

But briefly, I found that that the ontology I developed previously isn’t wholly satisfactory.  It’s unclear what creates the ontological doubling and the “ontological shift,” and why this ontology works the way it does.  Also, my introduction of what I called “metadiscourse” as a quasi-ontological level was something of a hedge and I’m no longer convinced it’s justified.  On the other hand, while I tend to emphasize the character of theater as a model of social agency (e.g., in my case study in the forthcoming edition of Theater Histories), I don’t think I sufficiently attended to its functional nature as societal reflexivity.  My underlying assumption was that just as theater as an institution is emergent from general social relations, so too does theatrical performance emerge out of the theater institution, and for that reason it possesses the same structure-agency-discourse ontology that society has.  But that doesn’t necessarily follow.  These weaknesses are, I believe, connected.

If, however, one considers the fact that by and large, institutions and practices emerge from society in order to serve some purpose, then one should consider theater’s purpose and how that might be reflected in its ontology: basically, form follows function.  So if theater’s primary function is to conduct societal reflexivity, then it’s likely that the ontological doubling and shift arise from that.   (Because of the level of discussion about social reflexivity, I plan to submit this new article to the Journal of Critical Realism.)

For a while, then, my focus will be on reconceptualizing theater’s ontology, since my argument that roleplaying games are form of theater hangs, first and foremost, on the definition of theater.

 

Embodiment and Automation

Does a puppet show count as theater?  My theory is that it does: the puppet constitutes a form of displaced embodiment.  This extends to online RP – the avatar is a type of displaced embodiment.  Because an agent is controlling these alternative bodies, the requirements for my definition of theater are met.

But what if the puppets are controlled by a machine?  Is this still theater?  Here things get squishy.  If the audience is unaware that the puppets are machine-controlled, then as far as it’s concerned, the performance is theater.  But if the spectator is told that the performance was mechanized, they almost inevitably reevaluate what they experienced.  They might feel a sense of dismay, they might be thrilled by the ingenuity of the mechanics, or something else, but it’s highly unlikely they wouldn’t reevaluate the performance in some manner.

In terms of my definition of theater, the mechanized puppetshow wouldn’t be theater because there’s no possibility of intersubjectivity or a reflexive social relationship.  Experientially, however, it’s not so clear.  Some people might still want to call it theater.

One possible solution is to say that any definition of a cultural practice is going to have some fuzziness around the edges.  Although we often would like definitions to be clear-cut, in reality they often aren’t.  Take biology for example.  From an evolutionary point of view, the answer to the “chicken and the egg” problem is straightforward: what came first was the egg because what laid it was, genetically speaking, not quite a chicken.  A few genes were slightly different.  That means there are some fuzzy borders around the genetic definition of chicken.  There’s no reason why something is extraordinarily complex as a cultural practice should have a definition with absolutely borders.

Still, we know what distinguishes the egg from the not-quite-chicken, and it would be nice if we could identify the areas of fuzziness in definition of theater.  It would seem from my comments above that whereas the ontology of theater is fairly strict, its phenomenology is not.

But Second Life raises further problems.  Avatars’ movements are all controlled by programmed animations.  One popular form of entertainment in SL is dance performance.  In this genre, avatars perform choreographed movements, but all the person behind the avatar has done is set the animations running (typically, by “sitting” on a disk or other object containing the animations).  I would wager that audiences generally respond to these performances much like they do to a live performance in RL.  But the dancing could be performed equally well by a bot; in fact, arguably, the person behind the avatar has simply turned their avatar into a bot.  There have been various performances that are quite explicitly by bots, in which the artist has left her computer on, running multiple instances of a program to keep the bots operating (I have in mind Jo Ellsmere’s work particularly; see for instance Mask, Biomechanical, and Obedience).  In any case, not only has embodiment been displaced, but we have a question of how much performer agency actually remains when most or all of the performance has been automated.

Ultimately, then, the concept of intersubjectivity is probably going to be reconfigured if artificial intelligence produces computer behavior that passes the Turing test, or – as in the movie Her – meets the criteria of reflexiveness and intentionality that we associate with human agency.

Copier: “Beyond the Magic Circle”

In Beyond the Magic Circle: A Network Perspective on Role-Play in Online Games, Marinka Copier aims to dispense with the metaphor of a “magic circle” defining play (as defined by Huizinga), arguing that it establishes a fallacious dichotomy between “in-game” and “out-of-game” that hides the true complexity of actual play, game design, and research.  A corollary to this pursuit is an effort to break down another dichotomy, created by the metaphor of the “ivory tower.”  In their place Copier proposes a “network perspective,” based on the Actor-Network Theory of Bruno Latour and others, connecting clusters of people within networks (or systems of connections) which can include things, such as computers.  I’m not myself familiar with ANT, although I gather that within CR it’s been criticized for having a flat social ontology, and from what little I can tell by reading Copier and Wikipedia, that seems to be the case: the agential level is the only one considered.

Be that as it may, Copier depicts the ways that role players traverse the in-game and out-of-game realms, and (more briefly) the traffic between gamers, the game industry, and academia.  I’m very much in sympathy with her desire to excise the notion of a magic circle: as the term itself suggests, it seems to mystify rather than elucidate.  But I’m not convinced that applying ANT achieves the goal.  It seems in fact to be answering a very different kind of question, a sociological one principally concerned with interpersonal and small group interactions.  It’s all well and good to say that the real and the imaginary are constructs under constant negotiation, but that really doesn’t tell us much about the nature of role playing per se.  The epistemological or ontological status of the “magic circle” doesn’t seem to be addressed through her argument.

She does have an interesting suggestion about RP involving a type of conceptual blending, but she doesn’t explore the idea to any depth.  It might – perhaps – provide one way of understanding the fictional/game element of RP, without resorting to the notion of a magic circle.  I think it’s also going to be necessary to explore “possible worlds” (modal) philosophy as another possible avenue; I’m now reading a book by Christopher Norris that touches on those issues.  Hopefully I can avoid the notion of a “willing suspension of disbelief,” an idea which has always rubbed me the wrong way.

These readings do raise for me the question of what exactly my goal is, and how it differs (if it does) from previous work.  This may be particularly an issue with respect to Mackay.  I think that my concerns are more philosophical, specifically ontological, even if that may lead me in some strange directions.  On the other hand, somewhere or other I do need to reconnect to the history of communication practices.