| TITLE | AVAILABILITY |
| “Theatre and Embodied Collective Reflexivity.” Journal of Dramatic Theory and Criticism [forthcoming]. | |
| “Big History.” In Theatre, Performance and Change, ed. Stephani Etheridge Woodson and Tamara Underiner. London: Palgrave Macmillan, 2018. 261-69. |  |
| “Online Role-playing Games and the Definition of Theatre.” New Theatre Quarterly: 33.4 (2017): 345-59. https://dx.doi.org/10.1017/S0266464X17000483. (The download link to the right is to the Original Manuscript. Contact me regarding the published version.) | Original manuscript
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| “Embodied Collective Reflexivity: Peircean Performatives.” Journal of Critical Realism 16.1 (2017): 43-69. http://dx.doi.org/10.1080/14767430.2016.1257198. (The download link to the right is to the Accepted Manuscript. Contact me regarding the published version.) | Accepted manuscript
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| General Editor and co-author, Theatre Histories: An Introduction, Third Edition. Co-authored with Bruce McConachie, Carol Fisher Sorgenfrei, and Tamara Underiner. New York: Routledge, 2016. | |
| Theatre, Communication, Critical Realism. New York: Palgrave Macmillan, 2010. Reviewed in
Theatre Journal,
Theatre Survey, and
Contemporary Theatre Review. A Choice “Highly Recommended” title. | |
| “Aesthetics,” “Cognitive Science,” “Culture, Cultural Analysis,” and “Signs, Semiology, Semiotics.” In Dictionary of Critical Realism. Ed. Mervyn Hartwig. London: Routledge, 2007. | |
| “Performance Strategies, Image Schemas, and Communication Frameworks.” In Performance and Cognition: Theatre Studies and the Cognitive Turn. Ed. Bruce McConachie and F. Elizabeth Hart. London: Routledge, 2006. 76-94. | |
| “Critical Realism and Performance Strategies.” In Staging Philosophy: Intersections of Theatre, Performance, and Philosophy. Ed. David Krasner and David Z. Saltz. Ann Arbor: University of Michigan Press, 2006. 57-84. | |
| “From Embodiment to Agency: Cognitive Science, Critical Realism, the Framework of Communication.” Journal of Critical Realism 3.1 (2004): 103-32. https://dx.doi.org/10.1558/jcr.v3i1.103 |
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| Performing Democracy: International Perspectives on Urban Community-Based Performance. Co-edited with Susan Haedicke. Ann Arbor: University of Michigan Press, 2001. | |
| “Social Ontology and (Meta)theatricality: Reflexions on Performance and Communication in History.” Journal of Dramatic Theory and Criticism 14.2 (2000): 3-39. |
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| “Signs, Social Ontology, and Critical Realism.” Journal for the Theory of Social Behaviour 28.1 (1998): 1-24. https://dx.doi.org/10.1111/1468-5914.00060 |
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| “Performance, Hegemony, and Communication Practices: Toward a Cultural Materialist Analysis.” Theatre Annual 49 (1996): 3-14. |
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| “Science, History, Theatre: Theorizing in Two Alternatives to Positivism.” Theatre Journal 45 (1993): 505-27. https://dx.doi.org/10.2307/3209018 | JSTOR |
| “Self-Possessed Jonson: Reason, Will, Ownership, Power.” Journal of Dramatic Theory and Criticism 8.1 (1993): 5-17. |
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| “Mementos of Things to Come: Orality, Literacy, and Typology in the Biblia pauperum.” In Printing the Written Word: The Social History of Books, c. 1450-1520. Ed. Sandra Hindman. Ithaca, N.Y.: Cornell University Press, 1991. 292-321. | |
| “Literacy, Tyranny, and the Invention of Greek Tragedy.” Journal of Dramatic Theory and Criticism 3.2 (1989): 53-71. |
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